Canon’s EOS R6 III arrives with 7K RAW video and 40 fps burst speeds

Canon simply barged into the mid-range full-frame hybrid digicam enviornment with a brand new entry. The 32.5MP EOS R6 III is a dramatic enchancment over the EOS R6 II due to the upper decision, sooner capturing speeds and higher video specs. Nonetheless, it comes at a comparatively excessive worth and lacks a stacked or partially stacked sensor, in contrast to different cameras on this class.

The brand new 32.5MP sensor gives an enormous increase in decision in comparison with the R6 II’s 24MP chip. On the identical time, the R6 III affords larger capturing speeds of 40 fps in burst mode with the digital shutter, or 12 fps with the mechanical or first-curtain shutter. It additionally helps 20 frames (a half second) of pre-shooting so you will not miss key moments for wildlife or sports activities capturing.

The R6 III makes use of Canon’s quick and reliable Twin Pixel AF system and comes with the corporate’s newest AI monitoring algorithms. It could possibly function in pretty dim situations all the way down to -6 EV and needs to be extra responsive with Canon’s newest Digic X processor, pending our assessment. It affords topic monitoring for individuals, animals and automobiles, together with an Auto mode that can decide a type of mechanically. It additionally borrowed the “Register Folks Precedence” characteristic from the R5 II, which helps you to maintain focus locked on particular topics that you’ve got beforehand memorized.

The largest replace for the R6 III, although, is with video. Because of the upper decision sensor, it could actually now seize as much as 7K 60 fps RAW gentle video, 7K 30 fps “open gate” video and 4K at as much as 120 fps, all with Canon’s C-Log2 and C-Log3 on faucet. There is a dizzying array of different video codecs out there (12 pages price within the specs), with HEVC S, AVC-S, RAW, RAW Gentle and others, at resolutions as much as 7K. All of the AF topic detection options can be found (automobiles, animals and other people), and Canon is usually among the many finest for video AF by way of velocity and accuracy.

No person expects any radical design modifications in a Canon digicam (the corporate tried that with the EOS R and it actually did not work), so the R6 III saved the final mannequin’s tried and true kind issue. That features two adjustment dials on the highest and one on the rear, together with a joystick, photograph/video selector, mode dial and a very good assortment of programmable buttons.

The rear show flips out as you’d count on for vlogging, nevertheless it would not tilt like Panasonic’s S1 II — so it might hinder the mic or headphone jacks, and is not as helpful for low-angle photograph capturing. The viewfinder has 3.69 million dots of decision as earlier than, the identical as Sony’s A7 IV however lower than Panasonic’s barely costlier Lumix S1 II. One huge change is the addition of a CFexpress card slot that enables RAW video seize and sooner burst speeds, together with an SD UHS II slot. The battery is similar because the one for EOS R5 II and permits as much as 390 pictures (CIPA score) with the viewfinder enabled.

Different options embody waveform monitoring that will probably be a lot appreciated by execs, plus new focus velocity algorithms borrowed from Canon’s cinema cameras that supply “pure, skilled” conduct, the corporate wrote. Inputs embody 3.5mm mic and headphone jacks, together with high-speed USB-C and a full-sized HDMI port. In-body stabilization has been boosted slight from 8 to eight.5 stops, matching the newest Panasonic fashions.

Together with the EOS R6 III, Canon launched some fascinating new glass. The RF45mm F1.2 STM lens brings very excessive speeds and shallow depth of area to a a lot smaller and lighter .76 pound (346 gram) kind issue — lower than half the load of Canon’s RF 50mm f/1.2L USM lens. It is also shockingly low-cost for an f/1.2 lens at $470.

The Canon EOS R6 III arrives later this month for $2,799 (physique solely) or $4,049 with the RF24-105 F4 L IS USM lens. That is a bit greater than the Nikon’s $2,500 Z6 III, which has {a partially} stacked however lower-resolution 24MP sensor. Panasonic’s S1 II additionally has {a partially} stacked 24MP however can shoot at as much as 70 fps and prices $3,200. Lastly, Sony’s A7 IV has an analogous 33MP sensor however lacks the RAW video options of the R6 III.